Pink
by Scott Wordsman
A red Honda Civic is straddling the bisecting line
of highway forty-six west, swerving over the teeth
of the road’s white zipper. The sky is bright
this morning but no driver with a proper pair
of shades or a sun visor should have a problem
staying in just one lane. You are late to work
but would rather apologize for it later than have
your wing mirror clipped off by this swaying sedan.
While you are not a person swayed by stereotypes,
you need to know the demographic of the driver;
sometimes it is reassuring to see if your assumptions
are correct. As you prepare for this pursuit, a cobalt
Camry appears on your right. You try to meet eyes
with its driver, as if to say, What the hell is going on
up there, but she is a beast of a woman looking straight
into the feedbag on her lap and it makes you want
to cry but you sit up straight and bash your fist
against the horn as if one strident sound could shake
the planet into consciousness, but it can’t and nothing
changes. You begin to see the Civic as a rival
from your past, the taunting you recall turns to hatred
and seeps into your spit, when you bite down on your lip
the blood you breathe mixes with the gum you are chewing
and where are the police to pull these lunatics over?
Your armpits have fused with your sleeves and sweat
has stained the air, you roll down the window to a road
that smells like piss and rain, this spring has been warm
and awful, your daughter is fifteen and thinks
you are coming on to her when suggesting going out
for ice cream alone as you can’t stand the thought
of your wife beating you over the brain for choosing
a large cone over a small cup because what other
indulgences do you have left to own? You decide
to pass the Civic on the shoulder. Who would receive
a ticket first, you think, then ask, Can cops multitask
like that? So as you lay on the gas you catch a glimpse
of her there, the bob of brownish hair, some frays
of pink near the ends, a teenaged mess and you do not
understand why she is screaming nor who her sentiments
are geared toward but as you neck yourself nearer
you notice her phone propped up on the dash and how
she is a violent cryer, a cockpit sobber, with one hand
to her temple, the other flimsy, fingering the wheel.
You want to strangle her and you want to swaddle
and assure her that no matter who is on the other end
he is not worth dying for on a Tuesday morning
between Bloomfield and Paterson. Yet from watching
this display, you begin to taste the tang of jealousy
swirling inside your head, for you have never been
as intoxicated by someone’s words as she, so much so
that you would risk it all, especially before lunch;
and while you recognize this selfish sense of the world
to be characteristic of her age, you know you would trade
your summer months and pension to be that foolish again,
to crash your car for anyone who could rescue you from
your insignificance, even for a minute, but the notion
slips as you speed by her on the left to where you keep
on driving till you notice that her car has disappeared
down an exit and you do not think of her again until
three years later when your daughter dyes her hair
pink one evening and you eat just as much dessert
as you would and start to wonder if anything else
will feel the same, but it ends there. In any event,
you’re not the type of person to lose sleep over these things.
Scott Wordsman is an MFA candidate at William Paterson University. His poems have appeared or are forthcoming in The Puritan, Slipstream Press, The Main Street Rag, and others. He lives in New Jersey.